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Cate Blanchett stars as Lydia Tár in director Todd Field's TÁR, a Focus Features release. 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Die Ausstrahlung erfolgt zunächst in 4 x 90 Minuten im Ersten sowie anschließend in 8 x 45 Minuten in den Dritten Programmen.Die Hauptrollen spielen Julia Jentsch, Sebastian Blomberg, Nina Kunzendorf, Elisa Schlott, Johanna Ingelfinger, Saskia Rosendahl, Isabella Bartdorff, Martin Feifel, Mehmet Ateşçi, Godehard Giese, Stephan Zinner und Judith Engel. Die Dreharbeiten haben seit August in Bayern, Tschechien und Berlin stattgefunden. Das Verschwinden“ (AT) ist eine Ko-Produktion der 23/5 Filmproduktion (Produzenten: Britta Knöller und Hans-Christian Schmid), Mia Film (Ko-Produzenten: Michal Pokorný, Zbynek Pippal) und ARD Degeto, BR, NDR und SWR. Für die Redaktion zeichnet Claudia Grässel und Sascha Schwingel (ARD Degeto), Bettina Ricklefs und Claudia Simionescu (BR), Sabine Holtgreve (NDR), und Kerstin Freels (SWR) verantwortlich. „Das Verschwinden“ (AT) entsteht mit der Unterstützung von FFF Bayern, Medienboard Berlin-Brandenburg und dem tschechischen Staatsfonds der Kinematographie. 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WIE WIROKOT_JB_D12_01105.CR22016-07-07T17:27:42+00:00monthlyhttps://hanswernerkruse.com/2016/07/07/tangerine-la-ein-cooler-und-doch-bewegender-film-aus-der-subkultur-transsexueller-huren/https://hanswernerkruse.com/wp-content/uploads/2016/07/tangerine-la.jpgTangerine LA2016-07-07T17:22:10+00:00monthlyhttps://hanswernerkruse.com/2016/06/27/ein-ganzes-halbes-jahr-die-indiskutable-verfilmung-des-bestsellers-von-jojo-moyes/https://hanswernerkruse.com/wp-content/uploads/2016/06/claudia-06736rv2.jpgME BEFORE YOU2016-06-27T18:33:46+00:00monthlyhttps://hanswernerkruse.com/2016/06/23/tiger-vor-dem-gorki-theater-eine-makabre-kunstaktion-zum-massensterben-im-mittelmeer/https://hanswernerkruse.com/wp-content/uploads/2016/06/claudia-1000374.jpgclaudia-10003742016-06-23T08:06:12+00:00monthlyhttps://hanswernerkruse.com/2016/06/22/acht-jahr-hamlet-an-der-berliner-schaubuehne/https://hanswernerkruse.com/wp-content/uploads/2016/06/klein_hamlet_7372_carnodeclair-2.jpgklein_hamlet_7372_carnodeclair-2HAMLET von William Shakespeare Schaubühne am Lehniner Platz Premiere im September 2008 Regie: Thomas Ostermeier mit Lars Eidinger Copyright by Arno Declair Stresemannstr.11 D-22769 Hamburg Konto 600065 208 Blz 20010020 Postbank Hamburg Veröffentlichung honorarpflichtig! 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Aquarell von Elisabeth Mannsfeld, 1929 65x121 cm © Frobenius-Institut Frankfurt am Main2016-03-12T14:04:55+00:00monthlyhttps://hanswernerkruse.com/2016/03/11/gruesse-aus-fukushima-von-doris-doerrie/https://hanswernerkruse.com/wp-content/uploads/2016/03/gruesseausfukushima-klein.jpgGruesseAusFukushima-klein2016-03-10T22:32:14+00:00monthlyhttps://hanswernerkruse.com/2016/03/08/das-rekonstruierte-triadische-ballett-des-bayrischen-staatsballetts-ii/https://hanswernerkruse.com/wp-content/uploads/2016/03/claudia-triad-ballett.jpgclaudia-triad-ballett2016-03-08T12:31:32+00:00monthlyhttps://hanswernerkruse.com/2016/03/04/die-hitze-hinter-dem-tuersteher-start-der-tanzplattform-2016/https://hanswernerkruse.com/wp-content/uploads/2016/03/claudia-not-punk.jpgclaudia-not-punk????????????????????????????????????2016-03-04T12:00:04+00:00monthlyhttps://hanswernerkruse.com/2016/03/01/nachruf-auf-die-kuenstlerin-dorle-oblaender/https://hanswernerkruse.com/wp-content/uploads/2016/03/dorle.jpgdorle2016-03-01T14:22:20+00:00monthlyhttps://hanswernerkruse.com/2016/03/01/anne-frank-der-neue-film/https://hanswernerkruse.com/wp-content/uploads/2016/03/lea_4_teaser.jpgLea_4_Teaser2016-03-01T12:33:11+00:00monthlyhttps://hanswernerkruse.com/2016/02/29/michael-moore-where-to-invade-next-ein-krasses-reisetagebuch-ein-filmemacher-zieht-raubend-und-pluendernd-durch-europa/https://hanswernerkruse.com/wp-content/uploads/2016/02/1280x720-sgk.jpg1280x720-sGk2016-02-29T13:46:01+00:00monthlyhttps://hanswernerkruse.com/2015/11/09/der-faelscher-und-der-lachende-koenig-das-kulturwerk-festiva-in-schluechtern-osthessen/https://hanswernerkruse.com/wp-content/uploads/2015/11/klein-ausstellung1.jpgklein-ausstellung12015-11-09T21:07:32+00:00monthlyhttps://hanswernerkruse.com/2015/10/28/richard-iii-die-faszination-der-duesteren-koenigsdramen-shakespeares-an-der-berliner-schaubuehne/https://hanswernerkruse.com/wp-content/uploads/2015/10/schlussbild-klein.jpgschlussbild-kleinRICHARD III. von William Shakespeare Regie  Thomas Ostermeier Bühne Jan Pappelbaum Kostüme Florence von Gerkan Mitarbeit Kostüme Ralf Tristan Scezsny Musik Nils Ostendorf Video Sébastien Dupouey Dramaturgie Florian Borchmeyer Licht Erich Schneider Kampfchoreographie René Lay Puppenbau Ingo Mewes, Karin Tiefensee Puppentraining Susanne Claus, Dorothee Metz Premiere am 7.2.2015 Schaubühne am Lehniner Platz, Berlin Richard III - Lars Eidinger Copyright by Arno Declair Birkenstr. 13b, 10559 Berlin Telefon +49 (0) 30 695 287 62 mobil +49 (0)172 400 85 84 arno@iworld.de Konto 600065 208 Blz 20010020 Postbank Hamburg IBAN/BIC : DE70 2001 0020 0600 0652 08 / PBNKDEFF Veröffentlichung honorarpflichtig! Mehrwertsteuerpflichtig 7% USt-ID Nr. DE118970763 St.Nr. 34/257/00024 FA Berlin Mitte/Tiergarten2015-10-28T09:37:16+00:00monthlyhttps://hanswernerkruse.com/2015/10/28/der-berliner-gropius-bau-zeigt-fruehe-avantgardistische-fotografien-von-germaine-krull-1897-1985/https://hanswernerkruse.com/wp-content/uploads/2015/10/klein-p_krull_01_selbstportrait_mit_icarette.jpg01_Selbstportrait mit Ikarette, um 1925; 01_Self-portrait with IGermaine Krull 01_Selbstportrait mit Ikarette, um 1925 01_Self-portrait with Icarette, circa 1925 Silbergelatineabzug, 23,6 x 17,5 cm Ankauf dank des M‰zenats von Yves Rocher, 2011. Fr¸here Sammlung Christian Bouqueret, Centre Pompidou, Paris. MusÈe national d'art moderne/Centre de creation, industrielle. Gelatin silver print, 23.6 x 17.5 cm Acquired with the support of Yves Rocher, 2011. Former collection Christian Bouqueret, Centre Pompidou, Paris. MusÈe national d'art mo-derne/Centre de creation, industrielle. © Estate Germaine Krull, Museum Folkwang, Essen, Photo © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / image Centre, Pompidou, MNAM-CCI2015-10-28T09:24:11+00:00monthlyhttps://hanswernerkruse.com/2015/10/26/neues-tanztheater-im-herbstlichen-hessen-ein-kleiner-streifzug/https://hanswernerkruse.com/wp-content/uploads/2015/10/wpo-6579_komplett_rbf_0482a.jpgWeltenwandererWeltenwanderer Ballettabend von Marco Goecke, Edward Clug & Itzik Galili Choreografie & Kostüme: Itzik Galili Bühne: Janco van Barneveld Licht: Yaron Abulafia Choreografie & Licht: Edward Clug Bühne & Kostüme: Thomas Mika Solo-Piano: Lynn Kao Choreografie / Bühne & Kostüme: Marco Goecke Licht: Udo Haberland Auf dem Bild »A Walk Above« von Itzik Galili Ezra Houben Foto: Regina 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KOCHMartin Suters überaus erfolgreicher Roman „Der Koch“ von 2010 wurde verfilmt und kommt jetzt in die Kinos. „Wonach schmeckt das denn?“, fragt die von der Mahlzeit hingerissene Andrea. „Nach meiner Heimat“, antwortet der tamilische Koch Maravan. Doch um es gleich vorwegzunehmen - das neue Werk des Regisseurs Rolf Huettner („Vincent will Meer“) ist kein Film über das Kochen. Er beginnt mit einem Vorspiel im Kampf um die Unabhängigkeit der Tamilen in Sri Lanka, bei dem Maravans Eltern sterben. Dann versetzt ein harter Schnitt die Zuschauer Jahrzehnte später nach Zürich, wo Asylbewerber Maravan (Hamza Jeetooa) in einem edlen Restaurant als mies behandelte Küchenhilfe schuftet. Nach dem Tod der Eltern wuchs er bei der Oma auf, die ihn in die Kunst der ayurvedischen Küche einweihte. Deshalb gerät er mit dem arroganten Chefkoch in Konflikt, der die Speisen oft verhunzt. Die attraktive Serviererin Andrea (Jessica Schwarz) unterstützt ihn in einem Streit, Maravan lädt sie daraufhin zu einem Curry bei sich ein. Tagelang besorgt er frische Zutaten, dann bereitet er ein Festessen vor: Die mit der Handkamera gedrehten Nahaufnahmen vom Schneiden, Schnippeln, Kochen und Essen machen nicht nur Appetit, sondern bauen auch eine mächtige erotische Spannung auf. Für die Zuschauer nehmen die Bilder vorweg, was dann passiert: Die eigentlich pappsatte Andrea krabbelt auf Maravans Schoß und säuselt „Ich bin noch nicht satt.“ Doch am nächsten Tag bezichtigt Andrea den Koch, sie mit Drogen gefügig gemacht und verführt zu haben, denn sie würde niemals mit einem Mann schlafen. Der Koch versichert ihr, Drogen seien nicht im Spiel gewesen, die aphrodisische Wirkung läge an der Zubereitung der traditionellen Gerichte mit einem modernen Rotationsverdampfer. Dieses wertvolle Gerät hatte Maravan illegal im Restaurant ausgeliehen, das fliegt auf und er wird entlassen. Gleichzeitig kommt jedoch in Begleitung seines Cousins Ulagu (Faraz Ayub) die kranke Großmutter für eine OP nach Zürich. Nun wird der Film mächtig politisch, denn Ulagu ist ein glühender Anhänger der Befreiungsbewegung Tamil Tigers: „Wir sind nicht nur Küchenhilfen wir sind freie Menschen“, beschimpft er Maravan, bevor er sich den Rebellen anschließt und bald im Kampf stirbt. Um Geld für die Behandlung seiner Oma zu verdienen, lässt der Koch sich auf einen Deal mit Andrea ein. Sie gründen „Love Food“ zur Unterstützung von Paaren mit sexuellen Problemen, obwohl Maravan das „unanständig“ findet. Die Ereignisse eskalieren, als die Liebesmenüs auch Schweizer Geschäftemacher genießen wollen, die illegal Waffen an die Regierungstruppen in Sri Lanka im Kampf gegen die Tamilen liefern… Der Film erzählt behutsam die Geschichte ausschließlich aus Maravans Perspektive und wird irgendwann zu einem milden aber spannenden Politthriller. Er weicht stark von seiner Vorlage ab, erzählt stringenter, verdichtet die Handlung, verzichtet auf Suters weitschweifige Erläuterungen. Vor allem hat er einen immensen Vorteil gegenüber dem Roman - die Interieurs der Küchen, die Zubereitung des Essenkochens, die politischen Machenschaften müssen nicht langatmig beschrieben werden, sie sind einfach zu sehen. Auch die Psychologie vieler Figuren wird nur angerissen, das reicht, um sie und ihr Handeln zu begreifen. „Der Koch“ ist ein spannender und dennoch verzaubernder Film, der die politische Realität nicht ausblendet. Die Kenner des Romans könn(t)en sich an den Kinobildern erfreuen, die den Geist der literarischen Vorlage, trotz vieler sinnvoller Abweichungen, bewahren! „Der Koch“ D/Ch 2014, 106 Minuten, ab 12 Jahre, Filmstart 27. 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